It's kinda strange, but someone has posted two Louise Brooks films on the Internet Archive but under different titles. The two films are Beggars of Life (1928) - retitled The Lawless Train, and The Canary Murder Case (1929) - retitled The Voice from Beyondthe Grave. The retitling is crudely done. The images below are not the videos themselves, just screen grabs of the retitled screens.
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Two Louise Brooks films online under different titles
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European creamer top set with Louise Brooks
From contemporary Switzerland comes this complete set of 30 creamer tops as issued by Floralp, featuring some of the most famous Movie stars of all time - including Marilyn Monroe, John Wayne, Errol Flynn, Mae West, Steve McQueen, Clara Bow, Jimmy Cagney, Humphrey Bogart -- and Louise Brooks! These are foil tops from the small plastic milk / cream pots used by restaurants.
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Coca-Cola and Crackerjacks and Louise Brooks
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1920's American Slang via Show Girl and Dixie Dugan
In celebration of the recent discovery of the 1928 film Show Girl, starring Alice White as the Louise Brooks-inspired character Dixie Dugan, here is a 1928 British newspaper article on American slang which focuses on Dixie Dugan and the Show Girl film.
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Amazing letter from Theodor Adorno to Alban Berg
There is an amazing letter from Theodor Adorno to Alban Berg contained in Correspondence 1925-1935, edited by Henri Lonitz, published by Polity in 2005.
Adorno was a German sociologist, philosopher and musicologist known for his critical theory of society. He was also friends with Alban Berg, an Austrian remembered as one of the most important composers of the 20th century. Most importantly, Berg wrote Lulu (1937), an opera based on Frank Wedekind's Lulu plays. Though unfinished at the time of Berg's death, Lulu is considered one of the great opera's of the 20th century.
Adorno was twenty-one years old when he traveled to Vienna in March 1925 to study musical composition with Berg. And over the years, they would exchange many letters.
The letter I noticed in Correspondence 1925-1935 was sent from Frankfurt, Germany and is dated September 8, 1933.In it Adorno wrote that he had just seen Pandora's Box, the G.W. Pabst film starring Louise Brooks as Lulu.
What is amazing is that Adorno's viewing of Pandora's Box came four years after the silent film's release at the beginning of the sound era, and in Frankfurt am Main - a center of Nazi activity. Pabst was known to be left of center, so its surprising the extreme right, meaning the Nazis, allowed it to be show. And were was it shown? A second run theater, or cine-club of some sort?
I have tried to find an online Frankfurt newspaper archive in order to comb through the newspaper to find a listing for this screening, but have had not luck in finding an available digitized archive.
Adorno was a German sociologist, philosopher and musicologist known for his critical theory of society. He was also friends with Alban Berg, an Austrian remembered as one of the most important composers of the 20th century. Most importantly, Berg wrote Lulu (1937), an opera based on Frank Wedekind's Lulu plays. Though unfinished at the time of Berg's death, Lulu is considered one of the great opera's of the 20th century.
Adorno was twenty-one years old when he traveled to Vienna in March 1925 to study musical composition with Berg. And over the years, they would exchange many letters.
The letter I noticed in Correspondence 1925-1935 was sent from Frankfurt, Germany and is dated September 8, 1933.In it Adorno wrote that he had just seen Pandora's Box, the G.W. Pabst film starring Louise Brooks as Lulu.
What is amazing is that Adorno's viewing of Pandora's Box came four years after the silent film's release at the beginning of the sound era, and in Frankfurt am Main - a center of Nazi activity. Pabst was known to be left of center, so its surprising the extreme right, meaning the Nazis, allowed it to be show. And were was it shown? A second run theater, or cine-club of some sort?
I have tried to find an online Frankfurt newspaper archive in order to comb through the newspaper to find a listing for this screening, but have had not luck in finding an available digitized archive.
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Louise Brooks & Frankie Trumbauer - Bye Bye Blues, 1930
Here is a delightful vintage recording by Frankie Trumbauer paired with a contemporary video of images of Louise Brooks. The song is "Bye Bye Blues", from 1930.
I have seen this recording on a newish CD suggesting it is sung by Louise Brooks. It ain't.
I have seen this recording on a newish CD suggesting it is sung by Louise Brooks. It ain't.
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Lulu, by Alban Berg performed in Oakland, California
West Edge Opera is presenting Alban Berg's opera Lulu in the abandoned 16th Street Train Station in Oakland, California. A very blonde un-Louise Brooks like Emma McNairy takes the role of Lulu. More information HERE.
Lulu, by Alban Berg
The summit of German Expressionism in opera
SATURDAY JULY 25, 8PM
SUNDAY AUGUST 2, 2PM
SATURDAY AUGUST 8, 8PM
Lulu, the second and final opera of composer Alban Berg (1885 - 1935), is considered one of the masterpieces of 20th-century composition. Berg, a pupil of Arnold Schoenberg, adapted the libretto himself from two plays by Frank Wedekind.
The central character Lulu is the embodiment of sex appeal - Lulu is married to three men successively in the opera. They worship her, but her untamed sensuality spells their ruin, with Lulu even killing the third, the wealthy Dr. Schoen. Jailed for this murder, she escapes, but she descends into poverty and ultimately prostitution. She is killed by a client, Jack the Ripper.
Lulu, by Alban Berg
The summit of German Expressionism in opera
SATURDAY JULY 25, 8PM
SUNDAY AUGUST 2, 2PM
SATURDAY AUGUST 8, 8PM
Lulu, the second and final opera of composer Alban Berg (1885 - 1935), is considered one of the masterpieces of 20th-century composition. Berg, a pupil of Arnold Schoenberg, adapted the libretto himself from two plays by Frank Wedekind.
The central character Lulu is the embodiment of sex appeal - Lulu is married to three men successively in the opera. They worship her, but her untamed sensuality spells their ruin, with Lulu even killing the third, the wealthy Dr. Schoen. Jailed for this murder, she escapes, but she descends into poverty and ultimately prostitution. She is killed by a client, Jack the Ripper.
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Wurlitza plays live soundtrack to Louise Brooks' film Diary of a Lost Girl
Wurlitza, a five piece band from South East Cornwall in England who have been specializing in adding live soundtracks to silent films since 2006, will be playing their live soundtrack to the Louise Brooks' film Diary of a Lost Girl in Yelverton Village Hall, Devon, England on Sunday, July 26th.
The group will also be performing their live soundtrack on other dates later in the year including Thursday, July 30th at the Port Eliot Festival and possibly on Friday, November 6th at the Newnham on Severn Film Club. More about the band and their music can be found on their website at www.wurlitza.co.uk/
From the Wurlitza website: "Two years in the making is Wurlitza’s soundtrack for GW Pabst’s 1929 movie Diary of a Lost Girl. Fast moving and at times shocking, Diary of a Lost Girl traces the story of Thymian, played by the mesmerising screen idol Louise Brooks, as her life yoyos between episodes of lightness and innocence, darkness and despair. Moments of great comedy involve life in a reform school for fallen girls headed by a villainous nun, and a modern dance lesson with an incompetent buffoon. This gripping film defies convention, confounding expectations as joy and compassion are found in the most unlikely places. Repertoire for the soundtrack of Diary of a Lost Girl includes music by Jango Reinhardt, Fun Boy Three, Portishead, Wire, Chopin, Leonard Cohen, Madonna and Grace Jones. "
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The era's attitudes toward bobbed hair
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Lulu in Bollywood - Louise Brooks in India
In search of all things Louise Brooks... I had the chance to look through past issues of the Times of India, the English-language daily newspaper. Today, it is the largest selling English-language daily in the world.
Back in the 1920s and 1930's, the Times of India covered the Bombay (now Mumbai) and New Delhi entertainment scenes. That included films, and of special interest, the films of Louise Brooks.
As far as I could find, at least eight of the actress' films were shown in India. I found editorial coverage and / or advertisements for The American Venus (1-26 / 9-27), Just Another Blonde (12-26 / 7-27), Evening Clothes (3-27 / 5-29), Now We're in the Air (10-27 / 9-29), Beggars of Life (10-28 / 3-29), The Canary Murder Case (2-29 / 5-30), and as well, When You're in Love ( 2-37 / 9-37), and King of Gamblers (5-37 / 11-37). The dates in parenthesis represent the month of the film's American release / followed by the month of the film's showing in either Bombay or New Delhi, India.
In terms of editorial, both Beggars of Life and The Canary Murder Case received a fair amount of coverage, as did When You're in Love. In terms of newspaper advertisements, many of the ads were something like the one pictured to the left for Now We're in the Air. Cool, but somewhat modest. However, I did find a couple of rather large advertisements for both The American Venus andBeggars of Life. Each took-up nearly 1/5th of the page! Wow!!
Back in the 1920s and 1930's, the Times of India covered the Bombay (now Mumbai) and New Delhi entertainment scenes. That included films, and of special interest, the films of Louise Brooks.
As far as I could find, at least eight of the actress' films were shown in India. I found editorial coverage and / or advertisements for The American Venus (1-26 / 9-27), Just Another Blonde (12-26 / 7-27), Evening Clothes (3-27 / 5-29), Now We're in the Air (10-27 / 9-29), Beggars of Life (10-28 / 3-29), The Canary Murder Case (2-29 / 5-30), and as well, When You're in Love ( 2-37 / 9-37), and King of Gamblers (5-37 / 11-37). The dates in parenthesis represent the month of the film's American release / followed by the month of the film's showing in either Bombay or New Delhi, India.
In terms of editorial, both Beggars of Life and The Canary Murder Case received a fair amount of coverage, as did When You're in Love. In terms of newspaper advertisements, many of the ads were something like the one pictured to the left for Now We're in the Air. Cool, but somewhat modest. However, I did find a couple of rather large advertisements for both The American Venus andBeggars of Life. Each took-up nearly 1/5th of the page! Wow!!
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Sacred Space: Louise Brooks in India
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Louise Brooks film and blues moaner Clara Smith
Over the years, I've come across newspaper advertisements for one or another of Louise Brooks' films which have included musical acts on the bill. That's because back in the 1920's, many theaters programmed musical or vaudeville acts to accompany films.
For example, I have found advertisements which had a Brooks' film and performances by Paul Ash and Vincent Lopez (each a noted band leader of the time), as well as another with a Brooks' film and the great jazz pianist Art Tatum!
And here is another I just came across, proclaiming an appearance by the great Clara Smith (c. 1894 – February 2, 1935), an African America blues singer billed as the "Queen of the Moaners". Also showing was the 1926 Louise Brooks' film Love Em and Leave Em.
This particular ad promotes the Royal Theater, one of Baltimore finest and one of a circuit of five such theaters for Black entertainment in big cities. (Its sister theaters were the Apollo in Harlem, the Howard Theatre in Washington, D.C., the Regal Theatre in Chicago, and the Earl Theater in Philadelphia.) The biggest stars in Black entertainment, including jazz and blues singers aand musicians, performed at the Royal. Ethel Waters debuted there, as did Pearl Bailey, who sang in a chorus line. Louis Armstrong and Fats Waller worked as accompanists, while Louis Jordan, Duke Ellington and others performed at The Royal.
For example, I have found advertisements which had a Brooks' film and performances by Paul Ash and Vincent Lopez (each a noted band leader of the time), as well as another with a Brooks' film and the great jazz pianist Art Tatum!
And here is another I just came across, proclaiming an appearance by the great Clara Smith (c. 1894 – February 2, 1935), an African America blues singer billed as the "Queen of the Moaners". Also showing was the 1926 Louise Brooks' film Love Em and Leave Em.
This particular ad promotes the Royal Theater, one of Baltimore finest and one of a circuit of five such theaters for Black entertainment in big cities. (Its sister theaters were the Apollo in Harlem, the Howard Theatre in Washington, D.C., the Regal Theatre in Chicago, and the Earl Theater in Philadelphia.) The biggest stars in Black entertainment, including jazz and blues singers aand musicians, performed at the Royal. Ethel Waters debuted there, as did Pearl Bailey, who sang in a chorus line. Louis Armstrong and Fats Waller worked as accompanists, while Louis Jordan, Duke Ellington and others performed at The Royal.
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Louise Brooks film Diary of a Lost Girl coming on Blu-ray
I am pleased to let everyone know that KINO will be releasing the 1929 Louise Brooks film, Diary of a Lost Girl, on Blu-ray in the Fall. And that this new release will feature audio commentary by yours truly, Thomas Gladysz.
Below is a sneak peak at the cover art. The print on the Blu-ray is the Murnau Stiftung restoration (the best we are likely to ever get). My commentary will reveal a number of previously unknown bits about the cast and film - like the fact that the actor who plays the elder Count Osdorff was a friend of James Joyce and had a role in the original stage production of Pandora's Box alongside author Frank Wedekind! And then there is the Cabinet of Doctor Caligari connection....
Below is a sneak peak at the cover art. The print on the Blu-ray is the Murnau Stiftung restoration (the best we are likely to ever get). My commentary will reveal a number of previously unknown bits about the cast and film - like the fact that the actor who plays the elder Count Osdorff was a friend of James Joyce and had a role in the original stage production of Pandora's Box alongside author Frank Wedekind! And then there is the Cabinet of Doctor Caligari connection....
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Jean Paul Gaultier designed scarf said to depict Louise Brooks
A Jean Paul Gaultier designed scarf (dimensions 63 X 81 cm) for sale on eBay is said to depict Louise Brooks, but IMHO, it does not. Perhaps there is vague resemblance, but to me, that don't look like her. What do you think?
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Louise Brooks a la Valentina news stand in Rome
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Louise Brooks in China, part 1
I recently had the chance to look through a couple of English-language Chinese newspapers in search of mention of Louise Brooks and her films. I am pleased to report I found a lot of articles, reviews, captioned photographs and advertisements. Here is just one of the many items I found, Brooks on the front page of the China News in October, 1928.
Brooks and her films were well represented in China, with most films enjoying repeated screenings. In fact, I found material on the exhibition of the following films. (The dates in parenthesis represent the month of the film's American release / followed by the month of the film's showing in China):
Street of Forgotten Men (8-25 / 7-27, 4-28)
The American Venus (1-26 / 4-27, 11-27, 4-28)
A Social Celebrity (3-26 / 9-28, 6-29, 10-29, 9-30)
It's the Old Army Game (5-26 / 12-27, 1-28, 6-28)
The Show Off (8-26 / 1-28, 7-28)
Love Em and Leave Em (12-26 / 7-28, 8-28, 11-28, 8-29)
Just Another Blonde (12-26 / 10-27, 11-27)
Evening Clothes (3-27 / 8-28, 2-29, 3-29)
Now We're in the Air (10-27 / 4-29, 4-30)
The City Gone Wild (11-27 / 3-29, 6-30)
A Girl in Every Port (2-28 / 5-28, 6-28, 12-28, 1-29)
Beggars of Life (9-28 / 8-29, 9-29, 10-29)
Canary Murder Case (2-29 / 9-29, 10-29, 7-30)
It Pays to Advertise (2-31 / 4-31, 6-31)
When You're in Love (2-37 / 8-37)
King of Gamblers (5-37 / 10-37)
The Love Goddesses (12-66) documentary
I found a couple of mentions of Rolled Stockings, but never any instances of the film showing in China. Both Now We're in the Air and A Girl in Every Port received a lot of coverage, and proved popular, as did Canary Murder Case. Check out this full page advertisement from November, 1927 for The American Venus.
Brooks and her films were well represented in China, with most films enjoying repeated screenings. In fact, I found material on the exhibition of the following films. (The dates in parenthesis represent the month of the film's American release / followed by the month of the film's showing in China):
Street of Forgotten Men (8-25 / 7-27, 4-28)
The American Venus (1-26 / 4-27, 11-27, 4-28)
A Social Celebrity (3-26 / 9-28, 6-29, 10-29, 9-30)
It's the Old Army Game (5-26 / 12-27, 1-28, 6-28)
The Show Off (8-26 / 1-28, 7-28)
Love Em and Leave Em (12-26 / 7-28, 8-28, 11-28, 8-29)
Just Another Blonde (12-26 / 10-27, 11-27)
Evening Clothes (3-27 / 8-28, 2-29, 3-29)
Now We're in the Air (10-27 / 4-29, 4-30)
The City Gone Wild (11-27 / 3-29, 6-30)
A Girl in Every Port (2-28 / 5-28, 6-28, 12-28, 1-29)
Beggars of Life (9-28 / 8-29, 9-29, 10-29)
Canary Murder Case (2-29 / 9-29, 10-29, 7-30)
It Pays to Advertise (2-31 / 4-31, 6-31)
When You're in Love (2-37 / 8-37)
King of Gamblers (5-37 / 10-37)
The Love Goddesses (12-66) documentary
I found a couple of mentions of Rolled Stockings, but never any instances of the film showing in China. Both Now We're in the Air and A Girl in Every Port received a lot of coverage, and proved popular, as did Canary Murder Case. Check out this full page advertisement from November, 1927 for The American Venus.
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Louise Brooks in China, part 2
Here are a few more items I found while scouring a couple of English-language newspapers from China for any and all Louise Brooks material. As mentioned in the prior post, the actress and her films received a good deal of coverage. Witness these couple of clippings, the first for The City Gone Wild (1927), and the second and third for A Girl in Every Port (1928).
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Thirtieth anniversary of the passing of Louise Brooks
Today marks the thirtieth anniversary of the passing of Louise Brooks, who died on August 8th, 1985. Her death was reported on in newspapers all over the world. Here is a link to the New York Times obituary. And here is an Australian clipping.
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Louise Brooks Society on GoodReads
Are you part of the smart set? Do you enjoy reading and love Louise Brooks and the Jazz Age? Do you have an interest in the silent film era, pre-code Hollywood, or all that was going on in Berlin and Paris between the wars? How about F. Scott Fitzgerald, flapper fashion, or femme fatales? Are you on GoodReads?
The Louise Brooks Society has its own GoodReads account, and would like to connect with you. Check out the LBS on GoodReads at https://www.goodreads.com/Louise_Brooks_Society
There, you can see what other related books the LBS is reading (Ziegfeld and His Follies: A Biography of Broadway's Greatest Producer by Cynthia and Sara Brideson ), has read (Wild Bill Wellman: Hollywood Rebel by William Wellman Jr. ), or wants to read (The First King of Hollywood: The Life of Douglas Fairbanks by Tracey Goessel).
And if you go through the LBS book shelves, you might also pick up a recommendation or two, such as Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture by Bram Dijkstra, or Dark Lover: The Life and Death of Rudolph Valentino by Emily W. Leider, or Jazz Age Beauties: The Lost Collection of Ziegfeld Photographer Alfred Cheney Johnston, by Robert Hudovernik. There is a lot to check out.
And while you are on GoodReads, don't forget to add these key titles to your your own GoodReads bookshelf -- and give them a rating too!
Louise Brooks, by Barry Paris
Lulu in Hollywood, by Louise Brooks
Louise Brooks: Portrait of an Anti Star, by Rolland Jaccard
Louise Brooks: Lulu Forever, by Peter Cowie
Dear Stinkpot: Letters from Louise Brooks, by Jan Wahl
The Diary of a Lost Girl (Louise Brooks edition), by Thomas Gladysz
The Parade's Gone By, by Kevin Brownlow
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William Wellman blogathon coming in September
One month from today, the William Wellman blogathon hits the web! Hosted by Now Voyaging, the blogathon runs September 10-13, and will feature nearly four dozen blogs from across the web covering many of the director's silent and sound films. The Louise Brooks Society plans on participating, and will cover Wellman's Beggars of Life (1928), starring Louise Brooks. And what's more, we'll be posting some amazing and little know material on this singular Louise Brooks film. See you on September 10th.
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