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Documentary About the Great Writers Who Sat at the Algonquin Round Table

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Barry Paris' swonderful biography of Louise Brooks details the time the then 17 year old actress lived at the famous Algonquin Hotel in New York City. The building, located at 59 West 44th Street in Manhattan, has been designated as a New York City Historic Landmark.

The 174-room hote, opened in 1902, was originally conceived as a residential hotel but was quickly converted to a traditional lodging establishment. Its first manager-owner, Frank Case (with whom Louise Brooks was acquianted), established many of the hotel's best-known traditions. Perhaps its best-known tradition is hosting literary and theatrical notables, most prominently the members of the Algonquin Round Table.

In June 1919, the hotel became the site of daily meetings of the Algonquin Round Table, a group of journalists, authors, publicists, artists and actors who gathered to exchange bon mots over lunch in the main dining room. The group met almost daily for the better part of ten years. Some of the core members of this "Vicious Circle" included Herman J. Mankiewicz, Franklin P. Adams, Robert Benchley, Heywood Broun, Marc Connelly, Jane Grant, Ruth Hale, George S. Kaufman, Neysa McMein, Dorothy Parker, Harold Ross, Robert E. Sherwood, Alexander Woollcott and others.

Brooks never happened to meet Dorthy Parker, according to the Barry Paris biography, but she did report seeing her and other members of the vicious circle at the hotel. "I watched Robert Sherwood and Dorothy Parker and a lot of other people jabbering and waving their hands at the Round Table, wondering what made them famous." Benchley was a friend, and Sherwood reviewed Brooks' films in the pages of Life magazine a few years ago. Brooks was also friendly with Mankiewicz.

The Ten Year Lunch is an award winning documentary about the hotel and the famous writers who hung out there. It is informative and fun. Check it out.


English advertisement features Louise Brooks

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Nick Wrigley sent word that this newspaper advertisement from Bolton, Lancashire, England has long featured Louise Brooks.


Sammy Tramp sings "Mack The Knife"

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Sammich the Tramp (also known as Sammy Tramp) is a multi-talented, Chaplinesque perfomer. She is Creator/Founder at Sammy Tramp's Traveling Flicker Factory and Artistic Director/Producer at The Beggar's Carnivale.

I first became acquainted with this special performer a few years back when she was performing as Lulu (see blurry snapshot from 2006!) in "Lulu: a black and white silent play,"a live stage adaption without dialogue of G.W. Pabst's film of Frank Wedekind's Pandora's Box. It was terrefic. The Louise Brooks Society encourages everyone to check out Sammy Tramp's various webpages, or better yet, check out one of her live performances. She is based in St. Louis, Missouri but travels all around.

Here's the latest from Sammy Tramp. Sammy puts down the kazoo and uses her mouth to sing "Mack The Knife." Originally written by Bertolt Brecht and Kurt Weill for The Three Penny Opera and made famous by Bobby Darin.

Quintessentially quintessential Louise Brooks

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Quintessentially quintessential . . . .


Benevolent Siren - Remembering Louise Brooks (iconic silent film beauty)

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Book trailer from Daily Motion: "Louise Brooks endures as one of silent film's most charismatic and contemporary actresses. Immortalized in Pandora's Box, she left a disinterested Hollywood to suffer years of hardship until finding a new career as an author. Later in her life, an admiring 20-year old managed to pry a chink into the armor of the reclusive actress, establishing a friendship that revealed a hidden, gentler side. Their friendship is lovingly remembered in Benevolent Siren. Available for iPad at https://www.smashwords.com/books/view/244044 and for Kindle at http://www.amazon.com/Benevolent-Siren-Remembering-Louise-ebook/dp/B009QQLSX2/ref=sr_1_1?ie=UTF8&qid=1352138192&sr=8-1&keywords=benevolent+siren." Check it out.

All Movies Love the Moon Trailer

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Louise Brooks is pictured in this trailer for a forthcoming book, Gregory Robinson's All Movies Love the Moon: Prose Poems on Silent Film, to be published by Rose Metal Press in March 2014. The book will be for sale at www.rosemetalpress.com, www.spdbooks.org, and Amazon.com. Thanx to writer Lisa K. Buchanan for pointing me to this video.


About the book from the publisher: Anyone who watches silent movies will notice how often crashes occur—trains, cars, and people constantly collide and drama or comedy ensues. Gregory Robinson's All Movies Love the Moon is also a collision, a theater where prose, poetry, images, and history meet in an orchestrated accident. The result is a film textbook gone awry, a collection of linked prose poems and images tracing silent cinema's relationship with words—the bygone age of title cards. The reel begins with early experiments in storytelling, such as Méliès'A Trip to the Moon and Edison's The European Rest Cure, and ends with the full-length features that contested the transition to talkies. Of course, anyone seeking an accurate account of silent movies will not find it here. Through Robinson's captivating anecdotes, imaginings, and original artwork, the beauty of silent movies persists and expands. Like the lovely grainy films of the 1910s and 20s, All Movies Love the Moon uses forgotten stills, projected text, and hazy frames to bring an old era into new focus. Here, movies that are lost or fading serve as points of origin, places to begin.

Sunday, March 16
Gregory Robinson reading from All Movies Love the Moon at the Marble Room Reading Series at 4:00 pm. Free and open to the public

The Marble Room Reading Series
The Parlor
1434 N. Western Ave., Chicago, Illinois


Friday, April 11
Gregory Robinson reading from All Movies Love the Moon at the Caffeine Corridor Poetry Series at 7:00 pm. Free and open to the public.


The Caffiene Corridor Series
9 The Gallery
1229 Grand Ave., Phoenix, Arizona

Feminine beauty as blinding as ten galaxial suns

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"Louise Brooks is the only woman who had the ability to transfigure no matter what film into a masterpiece. The poetry of Louise is the great poetry of rare loves, of magnetism, of tension, of feminine beauty as blinding as ten galaxial suns. She is much more than a myth, she is a magical presence, a real phantom, the magnetism of the cinema." 


So said Ado Kyrou (1923-1985), a Greek-born filmmaker, writer, critic and associate of the Surrealists long resident in France. Kyrou was a contributor to the French film journal Positif, and the author of Amour - érotisme & cinéma (1957) and Le Surréalisme Au Cinéma (1963).

Pandora's Box screens in Toronto, Canada on Jan 26

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Pandora's Box, starring Louise Brooks, will screen in Toronto, Canada on Sunday January 26th at the Revue Cinema (400 Roncesvalles Avenue). More info here. Event Time(s):4:15 p.m. Website: www.revuecineama.ca Costs: Range:$10 - $19




Pandora’s Box
Dir. G.W. Pabst (1929)
Starring Louise Brooks, Fritz Kortner, and Francis Lederer
109 mins.

It doesn’t really get better than Louise Brooks in Pandora’s Box, does it? Brooks fled Hollywood and escaped to the German film industry to seal her fate as an indelible force in silent film, forever to be remembered as the sensual, yet naïve; unintentionally vampish and victimized Lulu. Under the direction of master G.W. Pabst, the film’s cinematography, costumes, and narration are almost unparalleled in the medium. In short: Pandora’s Box is a masterpiece and Louise Brooks is a legend here - visually, as well as in her acting style. Her realism was so ahead of her time that audiences and critics rejected her; a dismissal that history has, luckily for us, rectified. Flappers at heart unite; this is a Silent Sundays not to be missed!

Featuring live piano accompaniment by William O’Meara.

Silent Sundays, now in its fifth season, is curated by media archivist Alicia Fletcher and was founded by journalist Eric Veillette.

Pandora's Box screens in Seattle, Washington on Jan 27

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STG Presents
Featuring Jim Riggs on the Mighty Wurlitzer Organ
Monday, January 27, 2014
Doors at 6:00 pm / Show at 7:00 pm
The Paramount Theatre
911 Pine Street, Seattle, WA 98101
Trader Joe's Silent Movie Mondays - Pandora's Box

To Purchase By Phone: 1-877-784-4849
General Admission Seating
$10 general public
$5 students and seniors
(not including fees)

STG Presents Trader Joe's Silent Movie Mondays - Pandora's Box featuring Jim Riggs on the Mighty Wurlitzer Organ at The Paramount Theatre on Monday, January 27, 2014.

"The second film in our ADORED & RESTORED series is PANDORA'S BOX (1929), directed by Austrian filmmaker G.W. Pabst and starring Louise Brooks, is a German dramatic silent based on Frank Wedekind's "Lulu" plays. Pabst searched for months for an actress to play Lulu and hired her as the only American and the featured star of the film. Brooks' portrayal of a seductive, thoughtless young woman, whose raw sexuality and uninhibited nature bring ruin to herself and those who love her, although initially unappreciated, eventually made the actress a star."

A special pick by the Seattle International Film Festival and their Women in Cinema Festival.
CineClub discussion led by Beth Barrett, SIFF's Director of Programming Running Time: 109 Minutes.

Louise Brooks in a Swedish cafe

Louise Brooks Encyclopedia: Emil Coleman

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Welcome to a new feature of the Louise Brooks Society blog - the Louise Brooks Encyclopedia. The first entry is devoted to bandleader Emil Coleman. In 1935, Coleman and his Orchestra shared the bill with Brooks & Dario in the Persian Room of the Plaza Hotel in New York City.

Who was Emil Coleman?

As early as 1917, the Russian-born pianist was performing in New York City on the third floor of Reisenweber's restaurant, upstairs from the Original Dixieland Jazz Band on the second floor and Gus Edwards on the first floor in a coming together of musicians regarded as the musical beginning of the Jazz Age in the Big Apple.

Starting in 1918, Coleman would lead one of the most popular dance bands in New York, first at the Montmartre Hotel (where Gloria Vanderbilt saw him) and then over the years at the Riviera, Central Park Casino (where he would be replaced by Eddie Duchin), Club Lido, St. Regis (in the King Cole Room, featuring Kay Thompson), Trocadero, Mocambo, and the famed Waldorf-Astoria, where he was a fixture.

Adapting to changing musical styles, the portly, balding Coleman developed the "medley" form of dance band repertoire emulated by other society orchestras. He played the Charleston, Tango, and Rumba, along with big band swing. He also performed on the radio, and at hundreds of debutante balls and social galas. Between 1923 and 1934, Coleman's various hotel orchestras registered 12 hits on the national charts on the Vocalion, Brunswick and Colombia labels. Among them were "Little Man, You've had a Busy Day," which peaked at #2 in 1934, and "What Is There to Say?" from the Ziegfeld Follies of 1934. Though his sound was sweet, Coleman's recordings were appreciated and collected by many, including even Jackson Pollock and Lee Krasner.

Coleman's filmed appearances include musical shorts in the 1930's and 1940s, and a television appearance on the Arthur Murray Party show in the early 1950s. In later years, Coleman continued to record and perform, issuing the "Walter Winchell Rumba" in 1952, and backing up Eddie Fisher's comeback at the Waldorf-Astoria in 1959. Coleman's last vinyl LP was Emil Coleman Lights Up ... The Plaza on Phillips.


Not much is known about the other orchestra noted on the ad, the George Sterney Orchestra, except that they too played on the radio in the 1930s and 1940s. I haven't found any recordings by them.

Know anything else about Emil Coleman? Please post in the comments!

Two screenings of Pandora's Box with Louise Brooks

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Pandora's Box is a silent film that just won't go away.

Largely panned when it debuted in 1929, this German-made film starring Louise Brooks has experienced a decades-long comeback and is now considered one of great films of the silent era. These days, its shown more often than many of the more acclaimed films of its time.

Two screenings of Pandora's Box will take place in the coming days. The film will shown in Toronto, Canada on Sunday, January 26th at the Revue Cinema. And on Monday, January 27th, Pandora's Box will be screened at The Paramount Theater in Seattle.

Directed by G.W. Pabst, Pandora’s Box tells the story of Lulu (played by Brooks), a lovely and somewhat petulant show-girl whose flirtations with members of each sex lead to tragic results. Despite having appeared in 23 other films – some of them quite good, Lulu is the role for which Brooks is best known today.

Others in the 109 minute film include acclaimed German stage star Fritz Kortner, as Dr. Schon, a respected businessman, and Francis Lederer, a dashing young actor who plays Schon's son. Both Schon's fall under Lulu's spell.

Lulu, a iconic character brought into the world by the German dramatist Frank Wedekind, has been described as a femme fatale, but in fact, she is a kind of innocent. As Brooks' biographer Barry Paris put it, her “sinless sexuality hypnotizes and destroys the weak, lustful men around her.” . . . And not just men. Lulu’s sexual magnetism knows few bounds, and this once controversial and censored film features what is described as the cinema's first lesbian. The Countess Geschwitz, covertly in love with Lulu, is played by Alice Roberts.

Coiffed in her signature black bob, Brooks inhabited her character thoroughly and effectively. Some say she lived it. The resulting performance in Pandora's Box, called "devastating" by contemporary critics, has become the stuff of legend.

The Toronto screening is part of Silent Sundays series, now in its fifth season; founded by journalist Eric Veillette, the Canadian series is curated by media archivist Alicia Fletcher. In Toronto, Pandora's Box will feature live piano accompaniment by William O’Meara.

The Seattle screening is part of the Seattle Theater Group's series Trader Joe's Silent Movie Mondays. The film is a special pick by the Seattle International Film Festival and their Women in Cinema Festival. In Seattle, Pandora's Box will feature Jim Riggs on the Paramount's Mighty Wurlitzer Organ. A CineClub discussion led by Beth Barrett, SIFF's Director of Programming, follows the screening.

Why these screenings, and why now?

It may be the growing public and media interest in the silent film era in the wake of the acclaim given The Artist and Hugo (the latter contains a shout-out to Brooks). Brooks herself was the subject of a recent best selling novel by Laura Moriarty, The Chaperone. It is in development as a major motion picture.

Or, it may be the actress' own story – the story of her rise and fall and reemergence – not only within the annals of film history but within popular culture and the even larger realm of public awareness. When Barry Paris wrote his outstanding 1989 biography of the actress, he originally titled it Louise Brooks: Her Life, Death and Resurrection. That title suggests something extraordinary, something even mythic.

If you attend either of these events, please leave your impressions in the comments field....

Louise Brooks :: Timelock :: Louise Brooks

Louise Brooks in a scene from Prix de Beauté

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Louise Brooks in a scene from Prix de Beauté (1930). Beautiful you are....


Louise Brooks stars in Pandora's Box in Luxembourg

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Pandora's Box (1929), starring Louise Brooks, will be shown in Luxembourg on February 4th. Here is the write-up from the venue, Philharmonie, place de l’Europe, Luxembourg-Kirchberg.

"The Ensemble Kontraste from Germany performs its score for Pandora’s Box at the Philharmonie. 

With her iconic bob haircut and sultry smile, Louise Brooks became an icon late in life--it was only in the 1950s when her work was rediscovered by French film critics and then later she was adopted as a symbol of sexual freedom by the gay and lesbian community.

The latter canonisation may well have been thanks to her performance in Georg Wilhelm Pabst’s 1929 silent classic Die Büchse der Pandora, in which she plays Lulu, whose lack of inhibitions bring ruin and tragedy to all, including herself. The film is also one of the first to portray a lesbian (played by Alice Roberts).

The great critic Roger Ebert best described Brooks’ performance in the film when he wrote that she “regards us from the screen as if the screen were not there; she casts away the artifice of film and invites us to play with her.”

However, critics at the time of the film’s release were generally less enthused and some even said Brooks was unattractive. It is now considered one of the greats of German silent cinema.

It is screened at the Philharmonie with live music from the Ensemble Kontraste, conducted by Frank Strobel and playing a score especially composed for the film by Peer Raben."


Louise Brooks in a scene from Pandora's Box

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Louise Brooks as Lulu - from the 1929 film Pandora's Box, directed by G.W. Pabst.The film is being shown in Luxembourg next week. See previous post.


What's missing from Martin Scorsese Presents: Masterpieces of Polish Cinema

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February will seen the launch of Martin Scorsese Presents: Masterpieces of Polish Cinema. It is a 21 film salute to the best movies from Poland. Unfortunately, there are no silent films among the many  exceptional films which make-up the program.

Had there been, I would suggest a 1929 Polish silent called Mocny Czlowiek (A Strong Man). It was directed by Henryk Szaro (1900 – 1942), a screenwriter and theater and film director. Born Henoch Szapiro to a Jewish family, Szaro was a leading Polish director of the late 1920s and 1930s. He was killed in the Warsaw Ghetto in 1942, after being pulled out of his apartment and shot in the streets. Something of a prodigy, Szaro was only 29 when he directed Mocny Czlowiek. It was his 7th film.


Like many other Polish movies that disappeared during World War II, Mocny Czlowiek was long considered lost until a copy was found in Belgium in 1997. Based on a 1912 novel by Stanislaw Przybyszewski (a Dostoevskian writer known as “the discoverer of the human naked soul”), Mocny Czlowiek tells the story of a mediocre journalist who, dreaming of fame and glory, leads his ill friend, a far more talented writer, to an early death in order to steal his unpublished manuscript.

The film is remarkable for many reasons. What stands out is its contemporary sensibility, especially its moral relativity, drug use, and casual acceptance of criminal behavior. Also striking is its vigorous film narrative brought about through the use of dynamic camera movement, montage, and the use of dissolves and double and triple exposures. For good reason, this Polish silent film has been compared to the best German and Soviet movies of silent era. According to IMdb, "Interviewed after the film's premiere, director Henryk Szaro said he had shot about five hours of footage. Less than eighty minutes made it into the final cut. All deleted scenes are now lost and probably do not exist anymore." That's is unfortunate, because this  brilliant film captures a gone world.

If you like Pandora's Box and film from Weimar Germany, chances are you will like Mocny Czlowiek. It is a film which seeps into the dark recesses of your heart.


Like Poland, which was situated between two dominant political and military powers, this extraordinary Polish production shows the influence of both the German and Russian silent cinema -- though it stands firmly on its own. (Interestingly, the film's lead was played by the Ukranian-born Russian actor Gregori Chmara, who was married to one-time Lulu Asta Nielsen; his career ran from 1915 to 1971.) Szaro's drama of individual cruelty, desire and weakness was released on DVD in Europe in 2006 with a soundtrack written and recorded by three contemporary Polish composers.

Embedded below is a 3 minute "run through" of the film with its contemporary musical soundtrack.


If you like what you see, and I think you will, follow this YouTube link to watch the entire 78 minute film on YouTube. It is available there in nine parts.

Event for author Robert Murillo for his Louise Brooks inspired novel, The Vanity

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One month from today, on March 1st at 1 pm, author Robert Murillo will read from his new Louise Brooks inspired novel, The Vanity, at Orinda Books in Orinda, California. I will be there to introduce Robert and his novel. Here is an article that appeared in the local Orinda News.




March 1st 2014 - 1 PM
Orinda Books
276 Village Square
Orinda, Ca 94563
925-254-7606

New play inspired by Louise Brooks, "The Winter Gift" by Tim Davies

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A new play about Louise Brooks titled The Winter Gift is set to open in the UK. From the venue website: "A new play by award winning writer Tim Davies, charting the tumultuous life of legendary silent screen icon Louise Brooks, contrasting her time as a Beautiful, brilliant, and uncompromising young actress, too wild to be contained by the Hollywood studio system or the accepted societal and sexual mores of the time and whose mixture of innocence and intense eroticism were perfectly captured in her celebrated work with German director G.W. Pabst, with the middle aged alcoholic Brooks, living alone, destitute and all but forgotten, until a chance encounter with a devoted fan..."

ROGUE'Z THEATRE COMPANY... Presents THE WINTER GIFT a new play written by Tim Davies, directed by Nerys Rees February 19-22 at the Urdd Theatre, Millennium Centre, Cardiff, Wales, UK. More information and ticket availability at http://www.ticketsource.co.uk/event/51037


New exhibit includes Louise Brooks character

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A new exhibit which includes Louise Brooks is set to open February 5th at Dixon Place in New York City. Here is more information from the artist:


THE CHORUS GIRL SHOW by Carolyn Raship

Come to Dixon Place to celebrate the opening of my show! I've been creating a series of large works on paper depicting the interesting and scandal filled lives of women who began their professional lives in the chorus - then wound up as movie stars, writers or infamous.

To celebrate the opening, please join us for drinks and performances at the Dixon Place Lounge! Performers include:

Anna Copa Cabanna
Charming Disaster
Killy Mockstar Dwyer
Sarah Engelke and Jamie Zillittto

And more!

During the first half of the 20th century becoming a chorus girl was both the most typical entree to show business and a constant punchline. The Chorus Girl was a cliche and a type: tough talking, avaricious, gold digging, dumb. As with most things, the real women often transcended the cliche. Show business and crime, dreams lost, lives lived into little old lady-hood -- and lives cut short. Glamour and art and intelligence. These works are drenched in blood and feathers and gilt trim, and -- like the early movies many real life chorus girl appeared in -- have no formula.


Intricate pen and ink and watercolor fantasias depict moments out of the lives of Princess White Deer (Native American performer who headlined on three continents, played the Palace, and starred in the Follies), Evelyn Nesbit (the teenage chorus girl who played a central role in The Crime of the Century, the murder of Stanford White by Harry K. Thaw), Olive Thomas (legendary Ziegfeld star and whose death was the first Hollywood scandal) and Louise Brooks (serious dancer, legendary chorus girl, movie star, artist and writer). As in the lives of these complicated and fascinating women, nothing in these works is just what it seems.

CAROLYN RASHIP is an artist, illustrator and sometime writer and director of theater. You can find her work online under the guise of Caviglia's Cabinet of Curiosities. She wrote and directed the plays "Die Like A Lady; or What Barbara Got" and "Antarctica" (which was published in NY Theatre Experience's anthology "Plays & Playwrights 2008") along with numerous other works for the theatre. As a visual artist she specializes in meticulous pen and ink and watercolor portraits. Her obsessions include chorus girls, birds, sea creatures and crime.

The show itself will be up from February 5 to February 23. More at
http://cavigliascabinet.tumblr.com/
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